'Jean and Dinah' turning 50
In
July 2004 Keith Smith published ‘Jean and Dinah’ turning 50 “to
acclaim not simply the singer [The Mighty Sparrow] but the song”. In
this 2006 carnival season, we join in that acclaim to the
calypsonian of the century.
Keith
Smith
Editor-at-large
Trinidad Express
Thursday, July 8th 2004
One night, not too long ago, I was
reminding Sparrow that less than two years from now, February 2006
to be exact, "Jean and Dinah'' would be all of 50 years old and
urging him to celebrate the anniversary in style when he said in his
usual ebullient style:
"Let's start getting into it from
now!''
Two or three beers later we parted
company, so I can't swear to you that the 69th birthday show carded
for next weekend at Queen's Hall and put on by Spektakula's
Martineau brothers is the first "wave'' in the run-up to the golden
anniversary of that jewel of a song, but I remind you that these
three men have a knack (remember that whole year of 50th birthday
shows?) for carrying on a thing long, long, long.
So Sparrow is 69 and, good behaviour
and God willing, set to turn 70 in another year's time and be here,
and in good cheer, the year after, to fittingly occupy centrestage
as the nation or, at least, the calypso majority, sets out to
acclaim not simply the singer but the song.
I don't know if this is your
experience but I know some 20 - and, yes, two ten-year-olds, who are
able to sing at least the "Jean and Dinah'' chorus, with one of the
20-year-olds able to sing the whole song, the question in my mind
being which calypso sung this year will be remembered 50 years from
now, 20- and ten-year-olds then singing of what from now?
Not, of course, that I am writing off
the whole of the last decade or two, 2000 marking 20 years since the
advent of Blueboy, some of whose songs, notably "Soca Baptist'',
seem sure to last, and 2006 marking 20 years since the arrival of
Rudder, some of whose songs, notably "Rally 'Round the West
Indies'', inevitably will prevail - but, I ask you, for all its
zest, Machel's "Craziness''? For all its creative twists, Destra's
"Bonnie and Clyde''? For all its aptness, Winchester's "Look the
Band Coming''? But, perhaps, I am being unfair and comparing apples
and oranges (small, quaily-quaily ones to boot) since the day
following the night Sparrow sang "Jean and Dinah'' on that Savannah
stage, calypso was never to be the same again, Sparrow remembering:
"I can see it as if it happening now.
I got up there the night and I started to sing, the crowd, man, the
crowd. From the first verse the stands were in an uproar...'', and
the good Dr Rohlehr, (Gordon, of course) writing for history
(Calypso and Society in Pre-Independence Trinidad) that the topic
(the Yankee withdrawal) "had been explored ad nauseam in the
post-1945 period by Kitchener, Invader, Lion, Growler, Beginner and
others. It was therefore remarkable that Sparrow was able to
resuscitate it ten years later. It may be that the bitterness evoked
by the presence of American soldiers as wealthier competitors in the
skin-trade had outlasted them by a decade. It is, however, more
likely that the calypso made its impact through the personality of
Sparrow: his youth, vigour, confidence and the sense that he
represented the newness of the time...Another reason for the
popularity of "Jean and Dinah'' was the vitality and biting cynicism
with which Sparrow was able to invest a worn-out theme. Consider the
final stanza:
It's the glamour boys again
We are going to rule Port of Spain
No more Yankees to spoil the fete
Dorothy have to take what she get
All of them who used to make style
Taking their two shillings with a
smile
No more hotel and Simmons bed
By the sweat of thy brow shall thou
eat bread.....
Simmons bed! Sparrow? Lord boy, buh we
real old in truth and look how when I first met you in the flesh I
was 18 and you was already 29 and look how both ah we get old
together. Still, I suppose we have to be thankful, so many of my
young friends swearing none of them reaching we age and like they
setting out to prove it too (just the odder day mih namesake Keith
(better known as "Tights'' son) ending up with a bullet in he brains
in Prizgarhe and a nex' one). So see me in Queen's Hall, Saturday
after the next, not only celebrating that 69th birthday (Remember
"the number is 69''-hee-hee-hee-and how then we used to snigger at
what used to be in the dark but look how now dem boys boasting loud
about that in the light, 60 million Frenchmen turning out not to be
wrong in truth) and the 50 years since you start singing in '54 but
beginning to celebrate early 50 years of "Jean and Dinah'', hoping,
God and good behaviour willing, that we'll be here when that time
really reach.
See also:
Essential Sparrow |